Projects

What is the darkling beetle’s favourite food?
by Abigale Miller

Lopsided Seesaw
by Alexander Moyle

To 2050
by Allison Rowe

Lighter Than Air
by Ariana Andrei and Reagan Brown

WUE — What's the colour like?
by Arthur Konok

The tracking solar accumulator project
by Brian White

Objective Past Life Regression for Inanimate Objects
by Bridget Moser

Wood Burning Art
by Chris Bennett

Electromagnesynthesis
by Doug Jarvis

Table-top Mathematics Lapidary Unit
by Elissa Ross and Patrick Ingram

Time-based Drawings
by Emily Comeau

Think Globally, Act Locally, Make Art
by Emily Cook

Elastic Bands and Plastic Scuplture
by Erika James

Free Space Loss
by Erika Lincoln

Eletrified Mineral Accretion Method
by Gareth Lichty

White Water/White Noise
by Gene Mastrangeli

Diversity Project Based on New York Crane Fly Populations
by Heather Carey

Art of Metal Trees in Gel
by students and teacher of The Student School

Marriage Power; Nightwear for Dogs
by Iris Hea-Won Cho

The Nature of Shadows
by Jesse Robertson

The EMF Sniffing Hat
by Ken Leung

Bell Payphone Labs
by Laura Paolini

Blossoming Patio Umbrella
by Lauren Hall and Ed Barsalou

Home-made science Project
by Libby Hague

Keeping Abreast
by Linda Fitz

What Kind of Person am I?
by Lisa Smolkin

The Hyper-Artist Electronic Ensemble
by Mari Tsylke

The Orange Garden
by Martin Reis

Display Designed for Listening to Plants
by Michael Enzbrunner & Allison McCall

Sculpture/Anatomical Model in Bronze and Wax
by Miki Rubin

‘Ek-stacy’
by Niki D'Amore and Emilie Dionne

Microscopic Images Seen As Abstract Forms
by Patrick Beh

One-of-a-kind ARTBOXES TOGO
by Reynaldo Padua

Artistic Representation of the Higgs Boson Particle
by Ryan Thorne

Resonating Bodies
by Sarah Peebles

KinderLab
by Susan Bustos

Living Viral Tattoos
by Tagny Duff

art drug dRT
by Willy Le Maitre

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The Nature of Shadows

by Jesse Robertson

The Nature of Shadows explores the relationship between art, science and cosmological history. Its form is based on an orrery: an 18th century mechanical model of the solar system which displays the relative positions and motion of the planets around the sun. The object at the centre of an orrery demonstrates the way in which the sun lends light and life to the planets. This work addresses the nature of perception; the centrality of mediated vision, science, technology, myth and unquenchable curiosity in mankind’s pursuit of understanding himself, the universe and his place within it.

Jesse Robertson, Too Cool for School Art & Science Fair,  Toronto 2010

Medium: Welded steel, copper, aluminum, kinetic gears, globes, soldered magnifying glasses, original electronic musical composition made from white noise generator, computer, slide show of the prismatic spectrum. 6 x 2 feet.

Too Cool for School Art & Science Fair, Harbourfront, Toronto 2010

Jesse Robertson, Too Cool for School Art & Science Fair, Toronto 2010

Jesse Robertson, Too Cool for School Art & Science Fair, Toronto 2010

Jesse Robertson, Too Cool for School Art & Science Fair, Toronto 2010

Jesse Robertson, Too Cool for School Art & Science Fair,  Toronto 2010

Too Cool for School Art & Science Fair, Harbourfront, Toronto  2010

Bio

I am an interdisciplinary, multimedia artist interested in science, natural phenomena and the curious nature of human perception. My practice includes, but is not limited to: painting, sculpture, sound, video and light projection. I am currently in my third year of a BFA – Linguistics double major at the University of Western Ontario. I live in London Ontario where I volunteer at the McIntosh Gallery located on UWO’s campus.

The Nature of Shadows explores the relationship between art, science and cosmological history. Its form is based on an orrery: an 18th century mechanical model of the solar system which displays the relative positions and motion of the planets around the sun. The object at the center of an orrery demonstrates the way in which the sun lends light and life to the planets. This work addresses the nature of perception; the centrality of mediated vision, science, technology, myth and unquenchable curiosity in mankinds pursuit of understanding himself, the universe and his place within it.