Projects

What is the darkling beetle’s favourite food?
by Abigale Miller

Lopsided Seesaw
by Alexander Moyle

To 2050
by Allison Rowe

Lighter Than Air
by Ariana Andrei and Reagan Brown

WUE — What's the colour like?
by Arthur Konok

The tracking solar accumulator project
by Brian White

Objective Past Life Regression for Inanimate Objects
by Bridget Moser

Wood Burning Art
by Chris Bennett

Electromagnesynthesis
by Doug Jarvis

Table-top Mathematics Lapidary Unit
by Elissa Ross and Patrick Ingram

Time-based Drawings
by Emily Comeau

Think Globally, Act Locally, Make Art
by Emily Cook

Elastic Bands and Plastic Scuplture
by Erika James

Free Space Loss
by Erika Lincoln

Eletrified Mineral Accretion Method
by Gareth Lichty

White Water/White Noise
by Gene Mastrangeli

Diversity Project Based on New York Crane Fly Populations
by Heather Carey

Art of Metal Trees in Gel
by students and teacher of The Student School

Marriage Power; Nightwear for Dogs
by Iris Hea-Won Cho

The Nature of Shadows
by Jesse Robertson

The EMF Sniffing Hat
by Ken Leung

Bell Payphone Labs
by Laura Paolini

Blossoming Patio Umbrella
by Lauren Hall and Ed Barsalou

Home-made science Project
by Libby Hague

Keeping Abreast
by Linda Fitz

What Kind of Person am I?
by Lisa Smolkin

The Hyper-Artist Electronic Ensemble
by Mari Tsylke

The Orange Garden
by Martin Reis

Display Designed for Listening to Plants
by Michael Enzbrunner & Allison McCall

Sculpture/Anatomical Model in Bronze and Wax
by Miki Rubin

‘Ek-stacy’
by Niki D'Amore and Emilie Dionne

Microscopic Images Seen As Abstract Forms
by Patrick Beh

One-of-a-kind ARTBOXES TOGO
by Reynaldo Padua

Artistic Representation of the Higgs Boson Particle
by Ryan Thorne

Resonating Bodies
by Sarah Peebles

KinderLab
by Susan Bustos

Living Viral Tattoos
by Tagny Duff

art drug dRT
by Willy Le Maitre

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White Water/White Noise

by Gene Mastrangeli

The concept for this work stemmed from the mythical notion that when putting your ear in front of the opening of a sea shell, one can hear the “watery” home from which it came. I found this idea poetic on various levels and the process of amplifying this sound became a catalyst for the idea of this audio sculpture. The experiment is an intermittent relationship of oscillating open/closed-circuit audio waves that feedback when the megaphone passes in front of the sea shell.

Gene Mastrangeli, Too Cool for School Art & Science Fair, Toronto 2010

Gene Mastrangeli, Too Cool for School Art & Science Fair, Toronto 2010

Gene Mastrangeli, Too Cool for School Art & Science Fair, Toronto 2010

The phenomenon of audio feedback in this work occurs when the shell opening is placed within close proximity to the microphone end of the megaphone. This incident produces standing sound waves or a closed-circuit between the objects  . . . an audio dia-monologue if you will. The project is to fabricate an apparatus that would regulate the audio relationship between these two different, yet similar objects. This “machine” would control their frequency connection and be either pendulous or rotational/wall or floor mounted depending on the success of varying experiments.

Gene Mastrangeli, Too Cool for School Art & Science Fair, Toronto 2010

Biography (art/architecture)

I am a Toronto based multi-media artist and aspiring architect. My work reciprocates between concerns of art and architecture. My methodology has become an amalgamation of representational strategies from both of these disciplines. My most recent work has stemmed from explorations with time based media. These video works are non-narrative and deal with simple variables of camera movements and the operational mechanisms within the camera; they are concerned with one’s perception in relation to these operations. The explorations are site specific experiments that have acted as catalysts for design proposals in post-industrial urban spaces along Toronto’s rail corridor grouped under the title “Design in the Void”.

Education/Art/Volunteer/Community

Masters in Architecture, Faculty of Architecture, Landscape and Design, University of Toronto, 2008.

“Assembling a Molecular Architecture”: project w/ Adrian Blackwell and the community of Mount Dennis, Toronto, 2007.

A founding member of the “Loop” gallery, Toronto, 1999-2002.

Community art projects with street youth and “Open City”, Montreal, 1998.

Bachelors of Fine Art, Concordia University, 1996.